Monday, April 14, 2025

How Nigeria can stop rising 'jungle justice'

A stolen phone, a whispered accusation, and slowly, a crowd gathers. In minutes, the charges are read out to the suspect and "justice" is administered — not in a courtroom, but on the street.

Mob justice, often called "jungle justice" in Nigeria, is the act of a crowd taking the law into their own hands by punishing suspected criminals without giving them the right to defend themselves via judicial procedures.

Over the past decade, such violence in Nigeria has surged, fueled by distrust in law enforcement, economic hardship, and the rapid spread of misinformation.

"It's [mob justice] been a long time with us," said Frank Tietie, a Nigerian legal expert and Executive Director of Citizens for Social Economic Rights in Abuja.

"Where law enforcement agents are seen to be restricted only to capital cities or the various states or in the nation's capital, people tend to have a sense that the government is far away and they can do whatever they like," he said.


A case of mistaken identity

Recently, 16 hunters traveling from Port Harcourt to Kano were lynched in Edo State on mere suspicion of being bandits and kidnappers.

According to local reports, the victims were traveling back to their home in Kano after attending Muslim Eid al-Adha celebrations when local vigilantes stopped the vehicle they were in.

Upon searching, the vigilante members found homemade Dane guns used by the hunters. The discovery quickly attracted a crowd who concluded the travelers were criminals and burned them alive.

Their gruesome deaths have reignited debates on lawlessness, justice, and the failure of policing in Africa's most populous nation.

President Bola Tinubu and human rights groups condemned the incident, and Tinubu vowed to pursue those who perpetrated the act and bring them to justice.

Nigeria's constitution stipulates that under no circumstances should the life of any Nigerian be taken except in accordance with the provisions of the law, with the pronouncement of the judgment of a court.


Common scenarios that lead to vigilantism

Apart from petty theft, such as pickpocketing, stealing mobile phones, bicycles, or motorcycles, suspicions of witchcraft or child theft can lead to mob justice.

However, cases of false accusations, mainly driven by personal vendettas, such as business competition, have also been documented by Amnesty International.

As Nigeria is a deeply religious country with dozens of ethnic communities, tensions can easily trigger mob actions, particularly during periods of unrest or crisis.

"There are instances even in police stations the case will reach there, and you find people round the police station, they want to get the culprit out and set him ablaze," Ben Shemang, DW correspondent in Abuja, said.

Over the past decade, Amnesty International has documented at least 555 victims of mob violence in Nigeria.


How Nigeria can curb 'jungle justice'

To reverse the trend and end the vice, experts say the Nigerian government needs to intervene by increasing public awareness campaigns against mob violence.

There is also an urgent need for police reforms and human rights training.

"We should put more pressure on the national assembly to decentralize the police system," Frank Tietie said, adding that the federal-controlled police have become incompetent and corrupt.

"The hope is that when we have a decentralized police system, where various states and local governments can organize proper police for us, then we may have less issues of jungle justice and extra judicial killings as we had in Edo State," he said.

Additionally, there needs to be increased advocacy for justice reforms and promotion of peaceful conflict resolution, and most importantly, local communities and security agencies must emphasize collaboration to build mutual trust and responsiveness.

Josephine Mahachi, DW

Nigeria's Malaria Hot-Spot Identified

The Federal Republic of Nigeria is reported to have the highest malaria burden in the world, accounting for 39.3% of global malaria deaths in children under five years in 2023.

According to recent reporting by GAVI, while the country’s annual malaria death toll has declined over the past five years, the case count has risen, with 1.4 million more malaria infections reported in 2023 than in 2022.

Bordering both Benin and Niger in Nigeria’s northwest, the Kebbi state has the highest malaria prevalence in the country at 49% of young children and the highest mortality rate.

The state’s high malaria prevalence has been linked to several factors, including rice cultivation.

Since rice farming requires stagnant water, it is a perfect breeding ground for virus-carrying mosquitoes.

Ahmad Muhammad Sani, a public health expert in Kebbi State, told GAVI on April 7, 2025, that he believes the malaria vaccine will help significantly lower malaria morbidity and mortality, especially when combined with existing preventive measures like the use of insecticide-treated mosquito nets and indoor insecticide spraying.

Sani also encouraged parents to complete the four vaccine doses to protect children against malaria outbreaks.

“Some possible challenges relating to the vaccine effectiveness in this region include factors like high malaria transmission rates. Hence, full vaccination coverage is crucial. Parents should be aware that incomplete vaccine doses offer partial protection,” he said.

As of April 14, 2025, most malaria cases in the United States are travel-related. Two malaria vaccines are offered in Africa but are unavailable in the U.S.

Friday, April 11, 2025

Nigerian cinema in the spotlight as ‘My Father’s Shadow’ to premiere in Cannes Film Festival first

Nigeria is going to Cannes. In what is understood to be a first in the film festival’s near-80 year history, a movie from Africa’s most populous nation has been chosen as part of the Cannes Film Festival’s Official Selection.

“My Father’s Shadow,” directed by Akinola Davies Jr. and co-written with his brother, writer Wale Davies, stars Ṣọpẹ́ Dìrísù (“Slow Horses,” “Gangs of London”). The film is set in Lagos in the aftermath of the 1993 presidential election and follows Dìrísù’s father and two sons Remi and Akin, as they attempt an odyssey across the city amid the election’s turbulent fallout.

Davies Jr.’s semi-autobiographical debut feature, produced by Element Pictures in association with Fatherland Productions and Crybaby, already has strong support in the form of distributor MUBI, which snatched up the rights to the film in North America and other territories long before the news of its Cannes debut was announced – lending additional hype to an already buzzy title.

The movie will screen in the Un Certain Regard strand – a competition for debut and ascendant filmmakers. Fatherland says it will be the first Nigerian film to do so.

Reacting to the announcement, Davies Jr.’ told CNN in a statement, “This is a testament to everyone dedicated to telling authentic Nigerian stories: from crews, to the countless technicians who power our film industry.

“It honors all those – past, present, and future – who laid the foundation for Nigerian cinema. I’m excited to be an ambassador for arthouse film in Nigeria, and even more excited for our cast and crew, whose talent and hard work truly deserve this spotlight.”

Co-producer and founder of Fatherland Productions CEO Funmbi Ogunbanwo told CNN, “It’s an incredible feeling to see our fully Nigerian story – rooted in Wale and Akin’s experience of losing their father at a young age – come to life on a world stage.

“We wove in Yoruba, Pidgin, familiar street names from Lagos and Ibadan, capturing the essence of our home. I feel both excitement and a weight of responsibility, representing independent Nigerian filmmakers who create against the odds. We hope people who watch this film will discover who we are as a people, understand where we come from, and see that this is only the start of how far our stories can go.”


Africa at Cannes 2025

The Cannes Film Festival announced it had screened 2,909 feature films to curate its 2025 lineup. Of those selected, “My Father’s Shadow” won’t be the sole representative from Africa this year.

Also in Un Certain Regard is “Aisha Can’t Fly Away” by Egyptian filmmaker Morad Mostafa, about a Somali woman working in Cairo, and “Promised Sky” by French Tunisian Erige Sehiri. Meanwhile, Swedish director Tarik Saleh, who has Egyptian heritage, is in competition for the Palme d’Or with “Eagles of the Republic” telling the story of an adored Egyptian actor who falls into disgrace.

The US-set “The History of Sound,” starring Paul Mescal and Josh O’Connor, is directed by South African Oliver Hermanus.

African cinema, particularly from Francophone nations, has a long history at Cannes, the world’s most prestigious film festival. Directing giants including the late Djibril Diop Mambéty of Senegal, the late Souleymane Cissé of Mali and Chadian Mahamat-Saleh Haroun all made the festival a home from home.

Recently, a new guard of young filmmakers has emerged – notably, with more women – including Welsh Zambian Rungano Nyoni, French Senegalese Mati Diop (niece of Djibril), Senegalese director Ramata-Toulaye Sy and Tunisian Kaouther Ben Hania.

But despite having the continent’s largest and most prolific filmmaking industry, Nigeria has had little representation at the festival.

Nigerian productions have appeared in festival sidebars like the International Critics Week (where “Ezra” by Newton I. Aduaka screened in 2007). But a search of the festival’s online archives shows no evidence a Nigerian movie has ever been a part of Cannes’ Official Selection – comprising the competition for the Palme d’Or, Un Certain Regard, Cannes Premieres, Special Screenings, Midnight Screenings and Cannes Classics.

Thierry Frémaux, general delegate of the festival, said at the press conference announcing the 2025 lineup on April 10 that the festival would be checking to confirm if indeed “My Father’s Shadow” marks a historic first Nigerian feature.


Nigeria’s big moves

Nigeria will have a big presence at Cannes this year. At the festival’s international village, Nigeria is back with its own national pavilion. There, the Ministry of Arts, Culture, Tourism and the Creative Economy will launch Screen Nigeria as part of the “Destination 2030; Nigeria Everywhere” campaign – a broad plan to create 2 million jobs in creative and tourism industries, and contribute $100 billion to Nigeria’s GDP by 2030.

The goal is to showcase the nation’s talent and promote international collaboration and attract foreign investment.

With the likes of “My Father’s Shadow” and other recent festival titles like “Mami Wata,” the first Nigerian film to premiere at the Sundance Film Festival in 2023, there are signs that Nigeria’s film industry is diversifying.

The 78th Cannes Film Festival runs from May 13-24. The premiere date for “My Father’s Shadow,” and its theatrical release date, are yet to be announced.

By Thomas Page, CNN

Cash-strapped Nigerians turn to YouTube for entertainment

It points to a shifting pattern as Nigerians grapple with one of the toughest economic crises in decades after President Bola Tinubu halted petrol subsidies that kept prices all round low and stopped support for the local currency.

Streaming platforms, cable TV and internet service providers are meanwhile on a price-hiking spree that has put off many clients.

Netflix increased monthly subscription fees twice last year to 7,000 naira ($4.50) from 4,400 naira for its premium package -- a substantial amount in a country where, according to the World Bank, over half of the 230 million people live in poverty.

Many people are slashing their entertainment budget, including cable and streaming subscriptions, according to Lagos-based think tank SBM Intelligence.

Nollywood, Nigeria's massive film industry, releases an average of 50 movies weekly, the second most prolific film industry in the world after India's Bollywood.

Health worker Adeleke Adesola, 31, from the southwestern city of Ibadan, has switched to watching movies on YouTube, driven not just by costs, but for its interactive nature.

"I feel good when I read a comment that speaks my thoughts about a scene or the movie. Also, because I don't have to pay monthly subscription to have access to YouTube movies," she told AFP.

Africa's pay TV giant MultiChoice reported losing nearly a quarter of a million subscribers between April and September 2024.


Production cuts

Despite an uptick in subscriptions last year, streaming juggernaut Netflix has cut back on commissioning new productions in Nigeria.

Prime Video has also adopted the same approach.

With movie tickets now considered a luxury by millions in the west African economic powerhouse, consumers and filmmakers are veering to YouTube and other cheaper alternatives.

Filmmaker and co-founder of iBAKATV YouTube Channel, Kazeem Adeoti, said the number of full-length movies on YouTube had grown tremendously.

Several top actors own YouTube channels to directly distribute their movies to consumers, he said.


YouTube movies 'cheaper'

Income from YouTube depends on factors such as watch time, audience engagement, copyright ownership and viewers' location.

"We see consistently high watch time... indicating strong audience interest in Nollywood content," Taiwo Kola-Ogunlade, spokesman for Google West Africa, told AFP.

"This increased watch time not only benefits the creators but also results in higher ad revenue for YouTube."

Seun Oloketuyi, film producer and founder of the Best of Nollywood (BON) awards, said YouTube had become more appealing to filmmakers as there were no specifications on the types of cameras to be used, the quality of costumes or the language mixes.

"Movies shot for YouTube are significantly cheaper than those to be screened at cinemas or on the digital streaming platforms," Oloketuyi said.

"It seems like a win-win for filmmakers who can spend significantly less on production, maintain ownership rights of the movies and still make good money."

Netflix and Prime say they don't plan on exiting Nigeria, but the contract terms for Nigerian filmmakers have now changed.

Nigerian films to which Netflix has screen rights are restricted to African viewers, leaving YouTube as the major alternative for the diaspora.

Thursday, April 10, 2025

Nigeria to launch e-visa, digital card

Festus Keyamo, Minister of Aviation and Aerospace Development, says the federal government will launch an e-visa system and digital landing/exit cards to enhance national security.

He disclosed this on Wednesday in Abuja when he received a delegation led by the Minister of Interior, Olubunmi Tunji-Ojo.

According to Mr Keyamo, the e-visa system will enable applicants to submit visa requests online and upload required documents electronically.

He added that the manual landing and exit cards would be digitalised, requiring visitors to pre-fill their information before travelling to Nigeria.

“What we are doing here today reflects this government’s commitment to cooperation between ministries with overlapping mandates.

“Today is another example of inter-ministerial collaboration. This specifically concerns the introduction of the e-visa system,” he said.

He said further details would be given by Mr Tunji-Ojo, and that relevant agencies such as Immigration, NCAA, and FAAN would fully support the initiative.


Mr Keyamo emphasised that there was no objection to the programme, which primarily falls under the Interior Ministry.

Meanwhile, the Minister of Interior stated the automation system will commence on 1 May.

He noted that the e-visa application will be free and is designed to simplify entry into Nigeria while boosting national security.

Mr Tunji-Ojo explained the Nigeria Civil Aviation Authority (NCAA) will manage landing and exit cards, which travellers must complete online before boarding.

“Coordinating and issuing regulations to airlines is naturally the NCAA’s responsibility,” Mr Tunji-Ojo said.

He revealed a central visa approval centre already exists at Immigration headquarters, with trained officers and integrated global criminal record checks.

“Better background checks will be conducted for travellers entering Nigeria. We aim to eliminate bottlenecks and ensure a transparent visa process.

“Our goal is to open Nigeria’s borders without compromising security. Both Interior and Aviation ministries have critical roles in this,” he said.