A statement made available to PUNCH Online on Thursday noted that the screening marks a pivotal step in showcasing African mythology on the global stage and positions Nigeria as a major contributor to the international fantasy genre.
Directed by Africa Magic Viewers’ Choice Awards winner, James Omokwe (Chetam, Ajoche, Riona, Itura) and executive produced by finance and investment expert Lilian Olubi, Osamede tells the story of an orphaned girl in the 1897 colonial Benin Kingdom who discovers superhuman powers. With the mystical Aruosa stone in her grasp, she sets out to liberate her people from British colonial forces.
Olubi, who is scheduled to speak on the Cannes panel, said, “Nigeria has exported music and films globally, but with Osamede, we’re revolutionising how African historical narratives are presented by bringing the legendary Benin Empire’s mythology to life with production values and storytelling that mirror Hollywood fantasy epics. Beyond Budgets: Innovative Funding for Filmmakers.”
Omokwe, known for his compelling fusion of tradition and innovation, describes the film as a reclamation of African history through fantasy.
“Osamede goes beyond a fantasy film set in Africa. With this film, we’re reclaiming our historical narrative through the fantasy genre. What Black Panther did for Afrofuturism, we’re doing for African historical fantasy rooted in actual Benin Kingdom mythology. Our approach combines authentic cultural elements with cinematic spectacle in ways audiences haven’t seen before,” he said.
What sets Osamede apart is its evolution from a successful stage production to the big screen. Originally produced and performed by Olubi’s Gold Lilies Productions, the story was staged 12 times to sold-out audiences. This tested narrative structure gives the film a strong foundation, echoing the success of Broadway-to-screen transitions.
“Osamede arrives at a time when global audiences are increasingly seeking authentic cultural storytelling with universal appeal,” Omokwe added. “The film presents a rare opportunity to capitalise on the commercial potential of historical fantasy while introducing audiences to the untapped cinematic wealth of Benin Kingdom lore.”
The film’s international debut also aligns with the growing momentum behind Nigeria’s Screen Nigeria initiative, which aims to amplify the nation’s cinematic presence on the global stage. Osamede’s Cannes screening comes at a historic moment, alongside My Father’s Shadow, the first Nigerian film to be selected for Cannes’ Official Selection.
The film stars Ivie Okujaye Egboh, Lexan Aisosa Peters, William Benson, Tosin Adeyemi, Lancelot Imasuen, and Alexander Bud. Drawing comparisons to global hits like The Woman King, Osamede taps into the emerging genre of African historical fantasy, spotlighting the rich cultural and mythological heritage of the continent.
By Rotimi Agbana, Punch
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