Showing posts with label literature. Show all posts
Showing posts with label literature. Show all posts

Friday, January 16, 2026

Death of Chimamanda Ngozi Adichie’s son prompts calls for overhaul of Nigeria’s healthcare sector















Nigerians have called for urgent reforms to the healthcare sector after the death of Chimamanda Ngozi Adichie’s 21-month-old son prompted an outpouring of grief and accounts of negligence and inadequate care.

In a leaked WhatsApp message, the bestselling author said she had been told by a doctor that the resident anaesthesiologist at the Lagos hospital treating her son Nkanu Nnamdi had administered an overdose of the sedative propofol.

Adichie and her husband, Dr Ivara Esege, have begun legal action against the hospital, accusing it of medical negligence.

For decades, the state of Nigeria’s public health sector has made national headlines with accounts of underpaid doctors carrying out surgeries by candlelight in the absence of power supply, patients paying for gloves and other missing basics, dilapidated facilities and nonexistent research departments. Those who can afford to seek care abroad typically do so.

There is also a dearth of emergency response services. When the former world heavyweight boxing champion Anthony Joshua survived a car accident in Nigeria in December, he was helped at the scene by bystanders, with no ambulance in sight.

Adichie’s sister-in-law Dr Anthea Esege Nwandu, a physician with decades of experience, has called for change.

She told Agence France-Presse: “This is a wake-up call, for we, the public, to demand accountability and transparency and consequences of negligence in our healthcare system.”

An exodus of medical personnel has exacerbated the situation, resulting in a doctor-to-patient ratio at the last count of 1:9,801. According to the health ministry, an estimated 16,000 doctors have left Nigeria in the last seven years.


‘The will of God’

As Nigerians at home and abroad mourned Adichie’s son this week and the Lagos state government ordered an inquiry, stories flooded social media about a crisis of errors by medical personnel.

In Kano state, authorities said they were investigating the case of a woman who died four months after doctors left a pair of scissors in her stomach during surgery. The woman repeatedly visited the hospital complaining of abdominal pain, but was only prescribed painkillers. Scans revealed the scissors just two days before she died.

For Ijoma Ugboma, who lost his wife in 2021, the tragedy felt painfully familiar. Peju Ugboma, a 41-year-old chef, had gone into hospital for fibroid surgery and died due to complications exacerbated by staff putting “the wrong setting of the ventilator [on] for 12 hours”, her husband said.

“Surgery on Friday, ICU on Saturday, dead on Sunday. I asked for the death certificate … but at that point I knew that I wasn’t going to let this thing go like that,” he told the Guardian.

Almost two years after Peju’s death, after a battle Ugboma said had tested him “mentally, emotionally and financially”, three of the four doctors in the operating theatre were indicted for professional misconduct.

The law firm of Olisa Agbakoba, a medical negligence lawyer with two decades’ experience, was one of two that represented the Ugboma family in court. He said in Nigeria there was no rigorous regulatory structure in place in the health sector.

“There is no requirement for routine submission of reports, no systematic inspections, and no effective enforcement of professional standards,” he said.

Agbakoba said his brother had undergone surgery by a physician who was not suitably qualified, resulting in sepsis that required a month-long treatment. “That was absolute incompetence,” he said.

Despite the abundance of medical malpractice claims, formal complaints and lawsuits remain remarkably low, partly because negligence is hard to prove. But many say there is also a cultural and spiritual dimension involved.

“People say it’s the will of God,” said Agbakoba. “They just go home and don’t talk about it … It’s underreported because many people don’t really do anything about it.”


Finding justice

Even when issues are escalated legally, medical personnel are reluctant to give professional opinions in court. Two of the three expert witnesses that testified for the Ugbomas live outside Nigeria.

“People told us they’d read through the case notes, they’d seen all the fault lines … but nobody wanted to talk and that is part of the rot in the system because there’s an unwritten oath of secrecy,” Ugboma said.

Some people are cautiously optimistic that the high-profile death of Adichie’s’s son will trigger an overhaul of the health regulatory framework.

For Ugboma, his long fight for accountability was worth it. “Right now, I can talk to my children and tell them I fought for their mother even in death,’ he said. “There’s justice out there if only one can persevere. It’s a marathon. But we can only have a better system if more people begin to challenge them.”

By Eromo Egbejule, The Guardian

Friday, January 9, 2026

Chimamanda Ngozi Adichie reveals her one-year-old son has died after a short illness















One of the Nigerian author Chimamanda Ngozi Adichie’s one-year-old twin sons has died after a brief illness.

“We’re deeply saddened to confirm the passing of one of Ms Chimamanda Ngozi Adichie and Dr Ivara Esege’s twin boys, Nkanu Nnamdi, who passed on Wednesday,” read a statement made by Adichie’s communications team.

“The family is devastated by this profound loss, and we request that their privacy be respected during this incredibly difficult time,” continued the statement, signed by Omawumi Ogbe of GLG Communications. “We ask for your grace and prayers as they mourn in private.”

“No further statements will be made, and we thank the public and the media for respecting their need for seclusion during this period of immense grief.”

Adichie and Esege married in 2009. Adichie had her first child, a daughter, in 2016. In 2024, her twin boys were born via surrogate.

Adichie has become one of the most celebrated modern novelists for works exploring love, conflict, identity, feminism and colonialism among other themes. Her debut novel, Purple Hibiscus, was longlisted for the Booker prize in 2004. Her second novel, Half of a Yellow Sun – set during the Biafran war – won the Women’s prize for fiction in 2007, and was named the “winner of winners” from 25 recipients in 2020. Her 2013 novel Americanah won the National Book Critics Circle award. Her most recent novel, Dream Count, was published last year and longlisted for the Women’s prize.

She is also the author of the short story collection The Thing Around Your Neck as well as the nonfiction titles We Should All Be Feminists; Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions; and Notes on Grief, which she wrote following the death of her father in 2020. Her mother died months later, in 2021.

By Ella Creamer, The Guardian

Wednesday, October 29, 2025

Nigeria’s Nobel-winning author Wole Soyinka says his US visa was revoked

 

Nobel Prize-winning author Wole Soyinka said on Tuesday that his non-resident visa to enter the United States had been rejected, adding that he believes it may be because he recently criticized U.S. President Donald Trump.

The Nigerian author, 91, won the Nobel Prize in Literature in 1986, becoming the first African to do so.

Speaking to the press on Tuesday, Soyinka said he believed it had little to do with him and was instead a product of the United States’ immigration policies. He said he was told to reapply if he wished to enter again.

“It’s not about me, I’m not really interested in going back to the United States,” he said. “But a principle is involved. Human beings deserve to be treated decently wherever they are.”

Soyinka, who has taught in the U.S. and previously held a green card, joked on Tuesday that his green card “had an accident” eight years ago and “fell between a pair of scissors.” In 2017, he destroyed his green card in protest of President Trump’s first inauguration.

The letter he received informing him of his visa revocation cites “additional information became available after the visa was issued,” as the reason for its revocation, but does not describe what that information was.

Soyinka believes it may be because he recently referred to Trump as a “white version of Idi Amin,” a reference to the dictator who ruled Uganda from 1971 until 1979.

The U.S. Consulate in Nigeria’s commercial hub, Lagos, directed all questions to the State Department press office in Washington, D.C., which did not respond to immediate requests for comment.

Soyinka jokingly referred to it as a “love letter” and said that while he did not blame the officials, he would not be applying for another visa.

“I have no visa. I am banned, obviously, from the United States, and if you want to see me, you know where to find me.”

By Wilson McMakin, AP

Tuesday, March 4, 2025

The Chimamanda effect: Nigerians’ delight at first novel in a decade from their beloved daughter

















When Nigerian author Chimamanda Ngozi Adichie asked participants at her annual writers’ workshop in Lagos to introduce themselves, one woman was so excited to be close to her idol that she immediately burst into tears.

“She asked someone to get me water and my heart just melted,” says writer and actor Uzoamaka Power. “[That workshop] was one of the best moments of my life.”


That was June 2015 and the 25-year-old Power had read “every single thing” Adichie had written but most deeply connected with Purple Hibiscus, the 2003 novel partly set in the Nsukka campus of the University of Nigeria where Power had studied.

Now 34 and a Nollywood star, Power is brimming with anticipation ahead of the release of Dream Count, a long-awaited new novel from Adichie whose last book, Americanah, came out in 2013.

In fiecely patriotic Nigeria, Adichie, regarded as one of the greatest writers of the 21st century, has reached folk hero status. While her feminist stances have made her a divisive figure among some, her simple to digest style and insistence on writing about everyday experiences have won her fans.

“She made it OK to explore our inner lives, even if we were ‘ordinary’,” says Saratu Abiola, a writer and policy strategist in Abuja. “She really elevated relatability.”

Power agrees. “In many ways, Chimamanda gave me permission to be ordinary and to be comfortable, and to be strong and to be solid in my ordinariness. Even for something like natural hair that people might consider trivial,” she says.

“To be able to live in this world and know that somebody as powerful as Chimamanda is fine with travelling and doing all these great things that she does and still looks gorgeous does something for young girls and women alike.”

The publishing industry was also influenced by Adichie’s style, says Ainehi Edoro, founder of literary blog Brittle Paper and associate professor of English at University of Wisconsin-Madison.

“Before her, African fiction often came packaged with a kind of ethnographic weight – expected to ‘explain’ Africa to a western audience,” she says. “But Adichie’s work wasn’t performing ‘Africanness’ for an outsider’s gaze; it was literary, intimate, contemporary. She helped shift expectations – both in publishing and among readers – so that the next wave of African writers didn’t have to over-explain, dilute or justify their stories.”

After her first two novels, Adichie became well-known in literary circles but it was a BeyoncĂ© collaboration in 2013, the same year that Americanah was released, that saw her influence grow exponentially and elevated her to rock star status.

“I’d say she transcended being a literary favourite when she teamed up with BeyoncĂ© on Flawless and started to occupy more mainstream stages,” says Abiola, who has compared the roll out and anticipation for Dream Count to that of “a big music artist’s upcoming album”. “Nothing we love more than seeing a fellow Nigerian in the lights.”

In 2022, Adichie privately declined a national honour from the government, according to her spokesperson, but her home town conferred on her the chieftaincy title of Odeluwa – Igbo for “the one who writes for the world”.

Diehard fans began substituting their English first names with their Nigerian ones, including Power, who dropped Doris for Uzoamaka after a chat with Adichie at the end of the 2015 workshop.

Young women began following her Instagram for style tips and became cheerleaders for what they called her “rich aunty” style, while playfully leaving comments on her posts like: “What happened to Kainene?”, a reference to the Half of a Yellow Sun character who does not return home at the end of the Biafran war.

Isioma Onyegikei, author of the novel Aegis, sees Adichie as a bridge between older and contemporary African literary excellence. She says people have taken to Adichie because she is visible enough for many to feel “like they are able to touch her”.

“I read Flora Nwapa and Buchi Emecheta growing up but somehow they felt like an imagination,” says Onyegikei.

“It’s different with Chimamanda,” she adds. “I watch her videos, see her … share her pain of loss and it feels very relatable because she’s succeeding, she’s in her prime, using the same apps that we use and it almost feels like I can touch her and be the same person one day.”

On X, young feminists banded together after Americanah came out, holding conversations on gender-based violence, traditional gender roles, natural hair and equal opportunities for women – or the lack of – in the workplace, while calling her “my president” and “our leader”. The debates stirred the platform so much that the term Daughters of Chimamanda emerged first as a descriptor, then as a slur, for Nigeria’s feminists.

Perceptions of her began to change on social media after her stance on transgender people triggered worldwide debate in 2017. Adichie has argued – and continues to do so – that the experiences of people who previously lived as men and were accorded male societal privileges before transitioning to be women, are significantly different from those of people who were born female.

Another comment, in a 2021 video – “I often say to young Nigerian feminists, please do not use feminism to justify your wickedness” – displeased some of her Nigerian fan base, partly because some said it had been weaponised on X.

Nevertheless, her literary icon status holds fast and many of her readers see her as a multidimensional figure, much like a character in one of her books.

“Chimamanda is very interesting,” said Onyegikei. “Many of the people – particularly guys – who hated her guts for her stance on feminism now stan [admire] her for her stance on transwomen. The people who stanned her then for her views on feminism can’t stand her because of transwomen. All in all, love or hate her, you must respect her.”

By Eromo EgbejuleThe Guardian


Monday, October 10, 2022

Chimamanda shines Nigeria’s torch, receives Harvard’s highest honour

Award-winning Nigerian author, Chimamanda Ngozi Adichie, has been decorated with the iconic W.E.B. Du Bois Medal from Harvard University.

The award ceremony, held at the Sanders Theatre, Memorial Hall at Harvard University campus in Massachusetts, on Thursday, marking a return of the event after a nearly three-year hiatus due to the COVID-19 pandemic.

Introducing Chimamanda as one of the honourees, Tracy Kaysmith, a faculty member in the department of English, African and African American Studies, described her as one of the most celebrated writers of our time.

“Chimamanda is consecrated to the work of the word, which is soul work in a large and cosmic way. You have a vision that is large, but it begins in small intimate particular spaces. It is as attached to the vocabularies of causes as it is to the dialect of the heart, and I believe your work reminds us of what it looks like to look around at the small and vast both in and around us,” she said.

Celebrating her contributions to amplifying the African voice, Kaysmith said: “In her novels, Adichie has brought African voices to the attention of the wider world. She’s cast African immigrants in stories that are once universally resonant and gloriously precise, particular to the world in which they’re born. She is a superstar who is also part of an African literary renaissance in the company of my brilliant colleagues that demand each of us work hard to understand the vast traffic of cultures, beliefs, and identities that swirl around and intersect with our own.”

Listing her immense contributions to the course of gender equality, Kaysmith said: “She became an icon of 21st-century feminism for demanding that if equality is the goal, then we must honestly name one of the very real obstacles to genuine equality.”

Kaysmith thanked Chimamanda for her tremendous literary gifts. “For your fierce commitment to moving humanity beyond the constraints of a single story, single vocabulary, single set of expectations, we recognise you, Chimamanda Ngozi Adichie, with the W.E.B. Du Bois Medal.”

In her acceptance speech, Chimamanda thanked the organisers of the award. She thanked the Hutchins Centre Director, Prof. Henry Louis Gates Jr, calling him an icon for making African American history and literature mainstream and normal as it should be.

Reaffirming her love for writing, Chimamanda said: “Writing is the love of my life, literature has mattered to me for so long, and it’s always so meaningful for me to have my work recognised. The most meaningful thing for me as a writer is to know that I can create something that means something to other people, and so, what moves me the most is to hear from people who have read me say your work made me see, your work made me think differently, your work made me feel that I was not alone.”

In her final remarks to the students, she said: “For the young people who are here, if you care about anything, please care about reading. Reading is so important. Reading is magical, books are magical. I really think that one of the best ways to counter the ugly tsunami of book banning going around in this county is to read. I just want to make a very small suggestion, how about you give up social media for two weeks, three weeks, a month, and read, read, read.”

Reflecting on the choice of this year’s awardees, Gates Jr. said the honourees represent an “unyielding commitment to pushing the boundaries of representation and creating opportunities for advancement and participation for people who have been too often shut out from the great promise of our times.”

Other honourees at the award ceremony included basketball legend, cultural critic and activist, Kareem Abdul-Jabbar, who was recognised for his achievements in his 50 years of basketball career; ground-breaking actress Laverne Cox for her impressive career as a four-time Emmy nominated actress and prominent equal rights advocate; Agnes Gund, President emerita of the Museum of Modern Arts; Raymond J. McGuire, Chairman of the Studio Museum in Harlem and philanthropist; Deval Patrick, 71st governor of Massachusetts and civil rights leader; Betye Saar, artist, on her reflection on African and American identity.

The W.E.B. Du Bois Medal is the highest honour given by Harvard University in the field of African and African American studies. Past recipients include Oprah Winfrey, Maya Angelou, Muhammad Ali, Steven Spielberg, Ava Duvernay, and Chinua Achebe.

By Sunday Aikulola

The Guardian

Related story: Nigerian author Chimamanda Adichie wins the Kassel Citizens' " Prism of Reason" Award

 






Wednesday, June 10, 2020

Nigerian writer wins German literature award

 A Nigerian author, Chigozie Obioma, has won the 2020 Internationaler Literaturpreis Award through the German translation of his second novel, ‘An Orchestra of Minorities’.

The award was founded in 2009 and has since been honouring outstanding contemporary works especially first-time translations “to rack up voices of relatively unknown authors in Germany”.

In the past, the winning duo for the best novel and the best translation are honoured with a major celebration in which other authors and translators of the books nominated for the final round are invited .

There is usually a cash prize of €20,000/$24,000 for the winning author and €15,000 for the translation.

But this year, in its 12th edition, Germany’s national centre for presentation and discussion of international contemporary arts, Haus der Welt der Kulturen (HKW), alongside the seven-member jury, decided not to honour a single book.

There are six titles on the shortlist. Organisers say there will be 12 winners instead of 2, among whom the prize money of £36,000 will be divided.

“In the current precarious situation for many people working in the cultural field, the organisers wanted to honor the work and voices of many, rather than a single work,” a statement by the organisers said.

Mr Obioma’s book, whose German title is “Das Weinen der Vögel” was among the six books selected from a diverse list and recognised by the German literary community.

The novel follows the story of Chinonso, a hardly surviving poultry farmer who stops a woman from committing suicide, his quest for material advancement and the unsettling end to his dream as a Nigerian on a foreign land.

A jury member, Daniel Medin, considered “An Orchestra of Minorities” to be a philosophical novel “of rare ambition and breadth that questions the freedom of the human will with relentless precision."

Praising the Nigerian author for capturing African religions which are “firmly anchored in Igbo cosmology” in the novel, Mr Medin described Mr Obioma as an innovator of the African novel, also with his debut novel, “The Fishermen.”

“An Orchestra of Minorities” was also shortlisted for the Man Booker Prize in 2019.

Elated

Winning the International Literature Award for Mr Obioma amidst coronavirus blues is pleasing.

“The past few months have been difficult for me, following the lockdown, coming down with the virus myself and the recent events. But I’m happy to share this bit of good news: the German translation of my second novel, DAS WEINEN DER VOGEL, has won this year’s Internationaler Literaturpreis, Germany’s prestigious prize for foreign fiction,” he said in a Facebook post.

“While I’m grateful and elated, I owe this win to my wonderful translator, Nicholai von Schweder, a remarkable man and the very best. Also, my wonderful publisher, Piper Verlag. Thank you to all who continue to support my work. It means so much to me!”

Previous winners of the award have included Teju Cole, Indian-French author, Shumona Sinhaand, and Mexican Fernanda Melchior.

By Aishat Babatunda

Premium Times

Thursday, April 5, 2018

Video - Nigerian playwright pushing for social change, equality



A woman playwright is pushing for social change in Nigeria through her performances. She wants African women to join global movements for gender equality. And she's calling her initiative "Hear World". Take a look.