Friday, October 2, 2020

A Nigerian Finds Hard Truths — And Hope — In Netflix Series On Nigeria



The street where I grew up in Kano, northwest Nigeria, is called Independence Road. Each day, it reminded me of Nigeria's independence and sovereignty from Great Britain on Oct. 1, 1960.

This year, as the country marks its 60th anniversary, celebrations will be muted due to COVID-19-related restrictions. But as many Nigerians stay home to celebrate, I hope they will watch the Netflix documentary series Journey of an African Colony, The Making of Nigeria, produced and narrated by Olasupo Shasore, the former attorney general and commissioner for justice in Lagos State and a historian and writer. The series, which has its world premiere on Thursday on the streaming service, traces Nigeria's history of slave trade and colonial occupation — and then independence.

As a Nigerian living in Nigeria, I found the documentary a powerful reminder that to truly celebrate this country's independence, we must take stock of where we came from.

The series begins with clips of Great Britain handing over the reins of power to Nigeria on Sept. 30, 1960. I was happy that it opened with interviews with two women who witnessed Nigeria's first Independence Day celebrations. This is a departure from the usual focus on men for such interviews.

Both women described the joy and pride they felt witnessing such a momentous occasion at the Independence Day ceremony at Race Course (now called Tafawa Balewa Square) in Lagos on Sept. 30, 1960. "I can still remember I was watching that flag. It was the British flag I was watching coming down, coming down, and the Nigerian flag, going up, going up," said Francesca Emmanuel, a former federal permanent secretary, in the documentary. "When the Nigerian flag got to the top, the whole of the racecourse lit up and then they shouted — and then the fireworks! It was a memorable early morning." As a Nigerian, I could relate to these feelings.

Shasore — whose books, A Platter of Gold: Making Nigeria and Possessed: A History Of Law & Justice In The Crown Colony Of Lagos 1861-1906, form the basis of the documentary — then takes viewers through the history of slavery. He says that "the transatlantic slave trade is the greatest human dispersal in history." He argues that Nigeria's role in slavery has not been properly acknowledged by historians. For example, slave merchants transported more than 4 million slaves from Nigeria to the west.

This documentary reminds me of my visit to Ghana in 2005 as part of my international fellowship with the Ford Foundation. A cohort of fellows from Ghana, Nigeria and Senegal visited the famous Elmina Castle to learn about the slave trade. Built by the Portuguese in the late 1400s, it became an important stop on the route of the Atlantic slave trade. We saw the "door of no return" gate. Once a slave passed through, there was no going back but onward, in shackles, to foreign lands.

Shasore reminds viewers that the slave trade run by European countries would not have been successful without participation of locals — an idea that started becoming prominent among Nigerians a few years ago. I myself was not aware of this until Nigerian writer Adaobi Tricia Nwaubani wrote about it in The New Yorker in 2018. In the piece, she told of her great-grandfather's role as a slave trader: "Long before Europeans arrived, Igbos enslaved other Igbos as punishment for crimes, for the payment of debts, and as prisoners of war. The practice differed from slavery in the Americas: slaves were permitted to move freely in their communities and to own property, but they were also sometimes sacrificed in religious ceremonies or buried alive with their masters to serve them in the next life," she wrote.

Sometimes I wish I could speak to my great-grandparents to hear their stories about the slave trade. Maybe they were enslaved. Maybe other family members of friends were enslaved. Sadly, they died decades before I was born. However, both my uncle Victor Nsofor and Obidinma Onyemelukwe, a professor and a member of my hometown Nanka's leadership council in southeast Nigeria, confirmed to me that there was a slave market in one of our villages. Indeed, the slave trade was closer than I knew. The next time I go to my village, I will visit and explore the site of Eke Ntai slave market in Amako village. According to scholars, local slavery in southeast Nigeria continued until the 1950s.

A recurring message in the documentary is the forceful removal of Black Africans from their communities to become slaves. Consequently, they lost connections to their roots. However, within the past two decades, DNA testing has helped Africans in the diaspora trace their roots back. For example, the late actor Chadwick Boseman was part Yoruba (Nigerian) and Limba (Sierra Leonian), pastor T.D. Jakes and actor Forrest Whitaker both have Igbo ancestries, and CNN journalist Don Lemon is part Nigerian, Ghanaian and Congolese.

After the slave trade ended came colonial occupation. At the Berlin Conference of 1884, European nations carved up the continent and shared the different nations among themselves. I believe it was all about human trafficking, which was sanctioned by the state, clergy and businesses. Great Britain's share were the nations that now make up present-day Nigeria.

The British colonialists ended up stitching together a country made of diverse cultures. Nigeria has more than 250 ethnicities and above 500 languages! These nations within Nigeria have been battling to live in peace with each other since Nigeria's independence. Some ethnic groups have called for secession. Between 1967 and 1970, Nigeria fought a brutal civil war, which led to deaths of at least 1 million Igbos. My only maternal uncle fought in the war and never returned. Although the Biafra-Nigeria civil war ended 50 years ago, the push for nation-building continues among all ethnic groups.

I am Igbo from the southeast part of Nigeria. I grew up in Kano state in northwest Nigeria, my wife is from Edo state, in southern Nigeria and my mother-in-law is from Lagos state in southwest Nigeria. Therefore, my two daughters have Igbo, Edo and Yoruba ancestries. My nuclear family is a microcosm of Nigeria, spanning formerly different nations. To me, Nigeria should not fail. It would be like my family failing.

I want Nigerians to live in peace. However, impacts of slave trade and colonialism continue to threaten our cohesion. Although on paper Nigeria is independent, it is not fully so given its overt dependence on foreign donors to fund social services despite the country's ability to pay for much of the services itself. For instance, Nigeria's total annual health expenditure is $10 billion. While $7.7 billion is spent by Nigerians as they pay for health services, the government and nonprofit organizations in Nigeria focus more on maintaining the $1.1 billion of total international donor support. Nigeria should instead put effort into finding creative ways to fund its health system by looking inward and rechanneling available resources.

Shasore's documentary made me realize that all the nations that make up Nigeria went through the trauma of slavery and colonialism. We need to constantly remind ourselves of our shared painful history so we can all heal together as a united Nigeria.

By Ifeanyi Nsofor

NPR

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Thursday, October 1, 2020

Measure to Punish Rapists with Castration Raises Concern in Nigeria

Nigerian lawmakers in the northwestern state of Kaduna have approved a measure to castrate men convicted of raping children under the age of 14. The controversial law comes in the wake of public outrage over the rising number of rape cases in recent months. But while supporters praise the new law as a move to defend women and children, some human rights activists say it is too harsh and may even fail to deter perpetrators.

It’s a typical lonely day for thirteen-year-old Amina, (not her real name), in a safe house located in Rigasa area of Kaduna state.

She was brought here one month ago after being raped by three men from her neighborhood.

She feeds her pet cat as she recounts her ordeal.

“I was hanging around the shops, I didn’t want to go inside the house because my stepmom was beating me. They called me and gave me a drink and then raped me,” she said.

Amina is not the only girl being held here. Her roommate, also a teenage girl, said she had been molested by her own father.

Amina says she’s even more upset because her father, a police officer, dismissed the case after being bribed by her attackers.

“I feel bad that my dad did that,” she said.

But Amina’s case has been re-opened with help from Samira Modibbo — a Kaduna-based activist who is one of the coordinators of the state-led campaign against rape.

The three men have been re-arrested and are awaiting judgement. They could be among the first to be surgically castrated under a new law punishing rapists of children under the age of 14, says Modibbo.

"Anyone that could rape a child does not deserve to live. And I actually stand by that because it takes a monster to be able to do that. There are a lot of things that comes with the sexual assault of kids. It’s not just about the emotional damages. There are physical damages and sometimes for the rest of their lives,” she said.

Nigeria's federal law provides between 14 years and life imprisonment as punishment for rape, but states can set different sanctions.

Human rights lawyer Okoro Kelechi argues the new law is too harsh and may fail to address the issue.

“I don’t think surgical castration addresses the root problem of rape because rape occurs more in the mind than in the act. I like to look at it as something that is more psychological. It goes beyond the sex. So, it’s not about the utensil or the tool used to achieve sexual pleasure,” he said.

Local aid agencies in Kaduna say over 400 cases of rape were reported in the state during the coronavirus lockdown.

No one knows whether many more states in Nigeria will adopt this new law. But activists like Madibbo say they will remain vigilant to ensure children are protected and offenders are held accountable. 

By Timothy Obiezu

Related story: Nigerian state says rapists will face surgical castration

VOA

Thursday, September 24, 2020

Nigeria fuel tanker crash kills 23 people

At least 23 people were killed after a petrol tanker overturned and caught fire on a busy road in Nigeria’s central state of Kogi.

The tanker lost control and rammed into five cars, three tricycles and two motorcycles on the Lokoja-Abuja highway on Wednesday.

It reportedly fell on one of the five cars carrying a family, crushing them to death before bursting into flames, local media reported.

Kogi State Sector Commander of the Federal Road Safety Corp Idris Fika Ali confirmed that 23 people were killed in the explosion while one child survived with injuries.

He went on to say that the occupants of the 10 vehicles involved have been killed.

“The death of 23 people as confirmed by the Federal Road Safety Commission, represents another disturbing and saddening incident in the litany of tragedies that have befallen our country,” President Muhammadu Buhari said in a statement.

“I am seriously worried about the frequency of these unfortunate and large scale tragedies in the country which cause needless deaths,” he added.

Bisi Kazeem, a spokesman for the Federal Road Safety Corps (FRSC), said nine children were involved in the accident, which happened opposite a petrol station along the highway.

Traffic accidents are common in Nigeria, where roads are ill-maintained and safety standards poor.

Al Jazeera

Tuesday, September 22, 2020

Facebook to open Africa office in Lagos, Nigeria

 Facebook announced plans for a new office in Lagos, Nigeria in the coming year.

The Lagos division will host teams specialised in engineering, sales, politics and communications. The Lagos office will also be Facebook’ssecond office on the African continent after its Johannesburg bureau in South Africa

Facebook hopes to develop products made by Africans, for Africans and the rest of the world.

In 2016, Facebook CEO Mark Zuckerberg went on his first business in Africa, meeting Nigerian President Muhammadu Buhari and local businessmen in Legos, where he now plans to further implement his company.

Facebook’s expansion on the African continent will certainly be watched by western African countries.

According to a study commissioned by the Social Media company, Facebook’s investments in infrastructures and connectivity in Sub saharian africa coul generate over 57 billion dollars for african economies over the next 5 years.

 CGTN

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Netflix Unveils Nigerian Original Series, Three Films

Netflix on Monday unveiled a new Nigerian original series and three new films from the African country.

"The new series and films, which are at different stages of production while others are ready to premiere, will join the growing slate of Nigerian content on the service and debut to 193 million members in 190 countries around the world," the streaming giant said.

The new original series is an untitled young adult drama series created and produced by Inkblot Productions. It follows the story of Ishaya, "a charismatic teenager and talented artist from a poor family, whose dreams suddenly appear within reach when a prestigious scholarship to the most exclusive school in the country catapults him into the luxurious world of Nigeria's 1% – all while a huge secret threatens his newfound status and, ultimately, his family's safety."

Created by Chinaza Onuzo and Dami Elebe who serve as executive producer and head writer, respectively, the six-episode series will be directed by Onuzo, Tope Oshin and Niyi Akinmolayan. Funke Akindele is confirmed as playing one of the lead characters with more casting details to follow. Zulumoke Oyibo and Damola Ademola will serve as executive producers.

"Netflix is proud to continue to invest in more original content from Nigeria," said Dorothy Ghettuba, the lead for African originals at Netflix. "We’re also thrilled to grow our existing creative partnerships while forming new ones with Chinaza and the amazing Inkblot team who will now join the growing list of Nigerian partners."

Said Onuzo: "We’re thrilled to be partnering with the Netflix team to tell the story of Nigerian youth on a global scale. We cannot wait to share with the world what it feels like to grow up in one of the most dynamic countries on the planet."

Netflix also unveiled deals for three Nigerian films from filmmakers Mo Abudu, Kunle Afolayan and Kemi Adetiba that will premiere on the streaming service. They are Òlòtūré, Citation and King of Boys II.

The first is the story of a young female journalist who goes undercover as a prostitute to expose a human trafficking syndicate. The film is part of Netflix’s partnership with Mo Abudu and her production company Ebonylife. The movie will launch globally on Oct. 2. Directed by Kenneth Gyang, its cast includes Sharon Ooja, Omowunmi Dada, Omoni Oboli, Blossom Chukwujekwu and Wofai Fada.

Citation, from director Kunle Afolayan and produced by Golden Effects Pictures, will hit Netflix globally on Nov. 6. It is the coming-of-age story of Moremi, a bright university student who forms a bond with her charismatic and well-connected professor who ends up sexually harassing her. The film follows Moremi’s quest for justice and stars Jimmy Jean Louis, Gabriel Afolayan, Ini Edo, Joke Silva, Adjetey Anang and newcomer Temi Otedola.

King of Boys II is the sequel to director Kemi Adetiba's 2018 crime thriller, in which a businesswoman and crime boss is drawn into a power struggle that threatens all she holds dear. Set to launch globally in the first half of 2021, the movie begins with Eniola Salami's triumphant return, after a five-year exile, to Lagos City. "Not content with the prospect of a fresh start," she this time aims even higher than before. The movies features returning stars Sola Sobowale, Remilekun "Reminisce" Safaru, Tobechukwu "iLLBliss" Ejiofor, and Toni Tones, as well as new talent in Richard Mofe-Damijo, Nse Ikpe-Etim, and Efa Iwara.

"These Netflix original films demonstrate how we’re building a home for the best-in-class Nigerian content for our members in Nigeria and beyond," said Ben Amadasun, Netflix’s director of licensing and co-productions in Africa. "It’s amazing to see how Nigerian films and series resonate with audiences around the world. By making it easy for people to watch films and shows from other countries, we can help them build empathy and develop a shared understanding of the world."

By Georg Szalai

Hollywood Reporter

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