The words and emotions of students at the University of Ibadan in southwestern Nigeria, presenting spirited debates over power imbalances and heated discussions around ethnicity, feminism, and gender.
Related stories: Kannywood filmmakers in Nigeria face jail if they show violence
Idris Elba to direct short film ‘Dust to Dreams,’ in collaboration with Nigeria's EbonyLife Films
Backed by Nigerian superproducer Mo Abudu, the short film titled “Dust to Dreams” is written by Elba and will feature a star-studded cast topped by Seal, alongside Nollywood actresses Eku Edewor and Atlanta Bridget Johnson. Former Nigerian Idol contestant Constance Olatunde (also known as “Konstance”) will also be making her film debut.
The project is part of a collaboration announced last year between the “Luther” and “The Wire” star with Abudu’s EbonyLife Films, to develop emerging African talent and support creative industries throughout the continent – as well as the African Export-Import Bank (Afreximbank), through its program called Creative Africa Nexus (Canex). Abudu will serve as both executive producer and producer.
Plot details are scant, but a press release shared the following synopsis: “Set against the vibrant backdrop of Lagos, Nigeria, the film follows the relationship between a mother and her teenage daughter, as she meets her father for the first time.”
Expressing her excitement about the collaboration, Abudu shared, “I am delighted to be working with Afreximbank and this incredibly talented team. ‘Dust to Dreams’ is a story close to my heart, and I’m thrilled to bring it to life with such passionate collaborators.”
Abudu has been described by Forbes as “Africa’s Most Successful Woman” and ranked as one of the “25 Most Powerful Women in Global Television” by The Hollywood Reporter.
Elba – a Brit of Sierra Leonean and Ghanaian descent – made his feature directorial debut in 2018 with British crime drama “Yardie.”
By Leah Collins, CNN
Related stories: Video - Nigeria box office revenue soars as popular releases draw crowds to cinemas
For the past five years, Nigerian actor, producer, and director Ibrahim Yekini has released most of his movies exclusively on YouTube. In November, he posted two of the biggest films of his career on the platform, which have garnered over 1.5 million views in total so far. Yekini — who starred in one of Netflix’s most successful Nigerian originals, Jagun Jagun, in 2023 — told Rest of World he has earned thousands of dollars from his YouTube releases.
“We moved to YouTube to escape CD piracy, which has now reduced,” he said.
Another popular Nigerian filmmaker, Seun Oloketuyi, decided to start releasing his movies on YouTube in 2022, after battling piracy for years. “All it takes is just one person going to the market to buy one copy of the CD and send it to the U.K. and the U.S.,” he told Rest of World. “The person in these countries makes multiple copies and sends them to multiple African stores.”
Oloketuyi has since released six films exclusively on YouTube, and plans to release two more before the end of 2023.
He and Yekini are among a growing crop of filmmakers in Nigeria — home to Nollywood, Africa’s largest film industry with around 2,500 films produced annually — who are using YouTube as a movie streaming platform. They told Rest of World they consider it a more democratic alternative to Netflix, Prime Video, and Showmax. Uploading their content on YouTube allows them to control the distribution of their work, without fear of piracy.
Selling movies to Netflix, Prime Video, and Showmax can be challenging as these platforms are too picky, Oris Aigbokhaevbolo, a Nigerian film critic, told Rest of World. “For low-budget productions, YouTube has had the most impact. For those who have built a following on the platform, there’s no real revenue sharing, [unlike] cinemas,” he said. “There are also lower expectations of quality — something Nollywood loves. You don’t have to shoot in multiple locations, even if your script calls for it. Low costs, dollars, obscure revenue sharing. What’s not to love?”
Its popularity among filmmakers has made YouTube a bigger streaming service in Nigeria compared to platforms like Netflix, Godwin Simon, who researches streaming media and the platform economy at the Queensland University of Technology, told Rest of World. “So many of them now produce direct-to-YouTube films so that they could make money and also pay the cast and crew,” he said. Nigeria reportedly has around 31.6 million YouTube users, and about 169,600 Netflix subscribers. YouTube did not respond to Rest of World’s request for comment.
Some filmmakers sell their movies to YouTube channels that aggregate content from the country. These aggregators operate just like streaming platforms, acquiring content or striking profit-sharing partnerships with filmmakers to exclusively release content on their channels.
Some YouTube channels also commission original content made exclusively for them. Rest of World found at least 10 Nigerian film channels on YouTube that post new releases at least once a week.
“We have a lot of people submitting their content, but we have a policy of screening all the content and making sure they are all on par with what our subscribers will want to watch,” Lekan Wasiudeen, a network engineer-turned-film producer who runs the Libra TV channel on YouTube, told Rest of World. Libra TV, launched in August 2015, now has more than 550,000 subscribers, and over 100 million views across 400-plus videos. The channel uploads at least three new movies each week.
ApataTV+, a Nigerian YouTube film channel with 1.69 million subscribers, has racked up more than 479 million views since its launch in September 2015, creator Olusola Akinyemi told Rest of World. “We publish and delete [movies] based on the contracts with our partners,” he said. “We procure movies and also do profit-sharing with our producers.”
Oloketuyi said the prospect of earning in U.S. dollars makes YouTube attractive to Nigerian filmmakers. He said he once made a film with a budget of 1 million naira ($1,200), and received $3,500 in his first check from YouTube.
But earnings from YouTube are still limited, Oloketuyi said.
In Nigeria, YouTube ads are not very sought-after, according to Olawale Adetula, founder of TNC Africa, a Lagos-based film production company. TNC Africa started out by making drama series for YouTube, and now produces original content for Netflix.
YouTube makes money from the ads that run before, during, and after videos, and shares those earnings with creators. For premium users who don’t see ads, YouTube shares a fraction of the viewers’ subscription fees with creators. Some Nigerian creators are now looking for ways to target YouTube viewers in the U.S. and the U.K. as they believe that would improve their earnings.
“If I make a video and … get a million views and all my viewers are from Nigeria … I’ll probably get paid $1,000 or maybe $1,500,” Nigerian YouTuber Tayo Aina told Rest of World. “If that same video had 1 million views from America, [I would] probably make like $10,000 to $15,000.” Anita Eboigbe, a Nollywood critic and co-founder of trade publication Inside Nollywood, believes targeting global audiences will give local filmmakers more room to diversify their income on YouTube. “You need to create demand for your content so people are going to stumble on it,” she told Rest of World. “It comes down to expanding your market, which is now equal to influence, money, and impact at a bigger scale than what you’d have if you limit it to just Nigeria.”
The shift to YouTube has helped Nigerian filmmakers fight piracy, which is rampant in the country. The illegal distribution of movies is so widespread that there are organized groups controlling the industry, Adetula said. Before YouTube became a popular option, producers often had no alternative but to sell their films at cheaper rates to piracy platforms. “[Those were] some of the compromises producers were making back then because of the limitation of distribution channels,” Adetula said. “Platforms like YouTube reduce piracy.”
By Damilare Dosunmu, Rest of World
Related stories: Daughter of Richard Pryor Shooting Nollywood-Hollywood Film In Nigeria
Video - Netflix Hit The Black Book examines Justice in Nigeria
Nollywood may be the heart of the Nigerian film industry, but it's not just local talent that has fallen in love with the vibrant landscapes and rich culture of Nigeria. In recent times, foreign filmmakers have also been drawn to this country to capture its beauty and authenticity on the big screen.
If you're a movie enthusiast and want to explore Nigeria from a different perspective, here's a list of foreign movies that you shouldn’t miss.
Foreign Movies Filmed in Nigeria
Black Is King
Black Is King was written and directed by Beyoncé. This 2020 American musical movie was filmed in Lagos, Nigeria and five other countries. The film received praise for its cinematography and depicts the story of an African prince.
After his father died, the prince was exiled from his kingdom. Later, as he grows into a man, he receives guidance from an ancestor, played by Beyoncé.
Nigerian Prince
NFL fans may be reminded about the Kansas City Chiefs’ offensive tackle Prince Tega Wanogho when reading the title of this movie. While watching Wanogho’s journey from Delta State, Nigeria to Alabama might have been fun, this movie from director Faraday Okoro focuses instead on a Nigerian-American teenager sent to Nigeria by his mother.
While there, he joins his cousin, who is operating an online scamming business, to get enough money to fly back to the United States. This movie was filmed in Nigeria and the US.
The Mark of the Hawk
This 1957 American drama film stars Earl Cameron in the lead role. Partially shot on location in Nigeria, it tells the story of the brother of an indigenous resistance leader who gets caught in a hostile environment when African villagers decide to reclaim their land from British colonists.
The Price
The Price is a 2017 American drama movie focusing on a young Nigerian-American man struggling with prescription drug dependency. While he has high ambitions, he chooses to follow a criminal path, leading him in the wrong direction.
It was filmed in Nigeria and the United States and received positive reviews from critics after its initial release.
Mister Johnson
Mister Johnson is said to be the first American movie to be shot on location in Nigeria. Based on the 1939 novel by Irish author Joyce Cary, this movie was released in 1990 and stars Maynard Eziashi as Mr. Johnson.
The film explores the challenges faced by Mr. Johnson due to his African heritage while working for the British.
Foreign Movies that Depict Nigeria But Were Filmed Elsewhere
Tears of the Sun
Tears of the Sun, released in 2003, stars Bruce Willis as a Navy SEAL officer sent to Nigeria on a rescue mission to retrieve an American doctor. She operates a mission hospital, which is located in the Nigerian jungle.
Contrary to expectations, this movie was not filmed in Nigeria. It was mainly shot in Hawaii, with some parts shot in Los Angeles and Virginia. The movie depicts the horrors of war.
Black Panther
Black Panther is an American superhero film based on the Marvel Comics character. It debuted in 2018, starring Denzel Washington. Filmed in the United States, it is set in the fictitious African area known as Wakanda.
However, while the location isn't real, several inspirations for the movie were taken from Nigeria. In many scenes, specific text appears on the screen, which is inscribed on walls in a throne room. The text’s script is derived from Nsibidi writing which comes from an area in southeast Nigeria.
X-Men Origins: Wolverine
X-Men Origins: Wolverine is a 2009 superhero film that is part of the X-Men film series. Directed by Gavin Hood, the movie serves as a prequel to the X-Men series and explores the backstory of one of its most iconic characters, Wolverine, also known as Logan, played by Hugh Jackman.
Lagos, Nigeria is depicted in the movie's first scenes when Major William Stryker travels to the area. However, it isn't the actual city. The production primarily utilized Vancouver, British Columbia, Canada, as a stand-in for Lagos. Additionally, some scenes were shot in New South Wales, Australia.
Captain America: Civil War
Captain America: Civil War is the third instalment in the Captain America film series and a crucial chapter in the Marvel Cinematic Universe (MCU). The movie explores the complex dynamics within the superhero community and the moral dilemmas that arise when the Avengers are divided over the Sokovia Accords, a government initiative designed to regulate and oversee their activities.
In one of the scenes, the action appears to be happening in a market in Lagos, Nigeria. However, keen viewers will recognize that it was shot elsewhere (apparently in downtown Atlanta and Puerto Rico).
Summary
These foreign movies offer a fresh perspective on Nigeria’s diverse culture, history, and landscapes. From intense war dramas to gripping thrillers, poignant historical narratives, and action-packed adventures, each film provides a unique cinematic experience.
Grab some popcorn, immerse yourself in these captivating stories and take a virtual journey through the heart of Africa's most populous nation.
Rain Pryor, the daughter of American comedian and actor, Richard Pryor, has commenced shooting of her Nollywood-Hollywood film project in Nigeria.
The untitled film centers around the Yoruba Ifa Mythology, a subject she has studied over the years, then decided to make a movie about.
As an actress, Rain has featured in several film and TV credits and sitcoms including Head of the Class and Rude Awakening.
The film, which is her debut directorial role, is a cross-cultural affair that unites Nollywood and Hollywood talents, with Nollywood actor, Odunlade Adekola in the lead role as Oba Fagbemi.
“I am a fan of Nollywood. In the last year and a half, Nollywood has flooded the United States through Netflix and other streaming platforms, and I have watched King of Boys, Jagun Jagun among others. I have also watched Adekola’s acting range and what he can do and believe he possesses what is needed for the character of Oba Fagbemi in the film, and that’s why I chose him,” said the 53-year-old actress who was renamed Osunyemi Oriomodun (Osun Priestess).
For Rain, the project is life-changing as it was for her late father who had visited Africa during his lifetime.
“I have a family that is rich in tradition and culture, and when I travelled to Nigeria to learn about the Yoruba culture, predominantly Ifa, I thought how can I collaborate with Nigerians and Black Americans to create something that is a mixture of Hollywood and Nollywood? My father made profound changes in his life when he came to Africa, and felt that he found his soul and himself, and here I am, doing the same thing, finding my place.”
Arguably the first of its kind, in terms of magnitude of the collaboration between the two film industries (Nollywood and Hollywood), Rain is confident it will excite viewers in the United States and Nigeria with its rich and cross-cultural plot.
Working closely with her to achieve this feat are Nigerian filmmaker Bola Attah, and Arts Consultant, Chike Nwoffiah. Both serve as executive directors in the project contributing their expertise to the success of the film.
By Samuel Abulude, Leadership
Related stories: Video - Why is Nigeria’s Nollywood failing to make awards shortlists?
Nigeria has selected Sundance Festival award-winning film, “Mami Wata” as its contender for the 96th Academy Awards’ International Feature Film (IFF) category.
Written and directed by C.J. Obasi, the film is an exploration and creative reimagination of the mythology of a titular mermaid-deity of West African folklore, and one which, among other things, celebrates womanhood.
The Nigerian Official Section Committee (NOSC) for the IFF said it selected the film for its “relevant theme – multiple generations of women at the forefront of society’s well-being, its unique approach to a story of pre and post-colonial African societies, as well as its technical and artistic excellence.”
The NOSC voting members include: Stepanie Linus – award-winning actress and Chairperson of NOSC; Dr. Chidia Maduekwe – M.D Nigerian Film Corporation (NFC); Dr. Victor Okhai – President of Directors’ Guild of Nigeria (DGN); Omotola Jalade-Ekeinde – veteran actress; Mr. Andy Amenechi – former President of DGN; Yibo Koko – theater practitioner; and Izu Ojukwu – writer/director.
Others are Adetokunbo ‘DJ Tee’ Odubawo – Cinematographer; Emem Isong – writer/producer; Dimeji Ajibola – director; Jude Idada – writer/director; Ngozi Okafor – producer/costumier; John Njamah – actor/director; and Meg Otanwa – actress/polyglot.
“I’m excited to announce a milestone in our NOSC journey: our first Pidgin film submission to the Academy, marking our commitment to diversity and global representation. I urge filmmakers not to relent in enhancing their skills, and elevate production to global standards,” Linus stated.
“Mami Wata” advances in the Oscars race having received the highest votes from the 14-man committee. The next stage of the film will be determined by the IFF Executive Committee.
Shot on location in the Republic of Benin, “Mami Wata” tells the story of a beach-side community that must interrogate previously held beliefs when a stranger washes up ashore and further threatens its harmony.
The film, which had its theatrical releases in Nigeria and other countries, won the Special Jury Award at Sundance Film Festival 2023 for its vivid black-and-white cinematography.
The 96th Oscars will take place on Sunday, March 10, 2024. The show will air live on ABC and in more than 200 territories worldwide from the Dolby Theatre at Ovation, Hollywood.
By Chinelo Eze, The Guardian
Related stories:
WURA - First Telenovela from Nigeria to premiere in January
Video - Why is Nigeria’s Nollywood failing to make awards shortlists?
The Cinema Exhibitors Association of Nigeria (CEAN) on Tuesday said that it generated N653 million from tickets sold across the country in May.
Mr Patrick Lee, National Chairman of CEAN, disclosed this while speaking with the News Agency of Nigeria (NAN) in Lagos.
“We had total sales of N653,229,100.00 for the month of May 2022.
“21 Nollywood films shown in May accounted for 28 per cent of total ticket sales while 14 films, Hollywood films accounted for about 69 per cent, with “Doctor Strange in the Multiverse of Madness” being the major outliner.
“Comparing April with May, ticket sales improved by about 12 per cent, with May being the highest-grossing month in 2022, so far.
Lee noted that the top five highest-grossing films in May are: “Doctor Strange in the Multiverse of Madness”; “King of Thieves”; “Sonic the Hedgehog2”; “The Lost City” and “The Perfect Arrangement”.
He said the films to be released across cinemas in June are: “Ex and Exes”; “Jurassic World: Dominion”; “The Order of Things”; “Flatus”; “Last Seen Alive”; “Light Year”; “Silent Baron”; “Black Phone”; “Elvis” and “Ile Owo”.
“It is exciting to see the mind-blowing box office performance of titles released in
May.
“Like we all anticipated, “Doctor Strange in the Multiverse of Madness” led the park with over N330million to consolidate on the continued monstrous performance of Nollywood’s rave-of-the-moment, “King of Thieves”.
“Doctor Strange in the Multiverse of Madness” now holds the record of the strongest weekend opening for a post-pandemic release in Nigerian cinemas.
“While “King of Thieves”, is so far, the highest-grossing Nollywood film since “Omo Ghetto the Saga”,” he said.
“Eyimofe” (“This Is My Desire”), the debut feature from co-directors (and twin brothers) Arie and Chuko Esiri, is a heartrending and hopeful portrait of everyday human endurance in Nigeria, West Africa. The film traces the journeys of two distantly connected strangers at the bottom of the socioeconomic ladder.
Shot on richly textured 16mm, the film is a vivid snapshot of life in contemporary, colorful, chaotic Lagos, the largest city in the country, whose social fabric is captured in all its vibrancy and complexity. It’s also a tale that was inspired by the filmmakers’ own journey.
“In a romantic way, we wanted to insert the film in the catalog and annals of the great city films that had been shot on celluloid,” said Chuko in a recent interview with News men. “We’ve seen Rome on film, we’ve seen Paris and London, but everything that we’d seen of Nigeria on film is archival footage, it’s ethnographic footage, it’s documentary. It’s not cinema, and cinema is a completely different beast.”
Documentary filmmakers might beg to differ, but the brothers are steadfast in their thinking. Still, the immortalization of the city on celluloid is a noble feat, especially when shooting in a country without any stable cinema infrastructure, a notoriously unreliable electrical grid and nightmarish traffic.
“Shooting on the streets of Lagos is notoriously difficult, because it’s a dense city and has what are called ‘area boys,’ or street guys,” Chuko said. “The idea of shutting down a street for a film production — I mean, if the president of the country can’t do that when he visits, then we weren’t going to be able to do it for our movie.”
Born 30 minutes apart in Warri, Nigeria, they grew up in Lagos, but at the age of eight, their parents shipped them off to boarding school in England to complete their formal education. At the time, there were no cinemas in Nigeria, so movies weren’t a part of their childhood. “At the time, the country was experiencing successive military regimes, and each regime had bright ideas about what was good for the culture, and these ideas were almost never good,” Chuko said. “So we didn’t grow up going to movies.”
Twenty years later, they both enrolled in film schools: Arie graduated from Columbia University and Chuko from New York University. During their time in New York City, they collaborated on a pair of short films: “Goose,” presented at the LA Film Festival in 2017, and “Besida,” which premiered at the Berlinale in 2018.
They returned to Nigeria as adults and found a Lagos that has somehow felt foreign. “Eyimofe” was born out of that experience — the idea of leaving and returning much later to whatever “home” is.
“It came from my returning to Nigeria for my stint in the National Youth Service,” he said. “From the age of eight to 22, I had only spent time in Nigeria on holiday, so now I was spending substantial time in a place to which I belonged but where I was also something of an alien — until then I hadn’t really faced all that it meant to be in Nigeria. I wanted to return to where it felt more familiar and where I would feel more comfortable in a national film industry. Even though Nigeria has a robust industry, Nollywood is a massive machine but I didn’t want to make the kind of films people make in it.”
While the Esiri brothers spent much of their lives overseas, “Eyimofe” was financed entirely in Nigeria and made with a predominantly Nigerian cast and crew. The film is now drawing a new level of international attention to Nigerian cinema and screening at several festivals, including Berlin and New Directors/New Films. However, as Nigerian movies get more notice outside the country, it’s also raising the issue of exactly what a “Nigerian film” is supposed to be.
Akeju, a US-based director at Aflik TV while making comment on the new movie, added: ” The movie details much of African migrants experiences in the Diaspora. The production is very different and professional. Kudos to the directors and all the team behind it”
The Janus Films will release “Eyimofe” across various theaters on Friday, July 23, 2021 and will be hoping it inspires as much audiences as possible.
